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・ Ernst Schäfer
・ Ernst Seidler von Feuchtenegg
・ Ernst Seifert
・ Ernst Sejersted Selmer
・ Ernst Sellin
・ Ernst Selmer
・ Ernst Severa
・ Ernst Sieber
・ Ernst Siehr
・ Ernst Sieler
・ Ernst Siemerling
・ Ernst Sigismund Fischer
・ Ernst Simmel
・ Ernst Naumann
・ Ernst Neef
Ernst Neizvestny
・ Ernst Neubach
・ Ernst Neufert
・ Ernst Nevanlinna
・ Ernst Niekisch
・ Ernst Nievergelt
・ Ernst Nilsson
・ Ernst Nilsson (footballer)
・ Ernst Nobis
・ Ernst Nobs
・ Ernst Nolte
・ Ernst Näf
・ Ernst Oberhammer
・ Ernst Ocwirk
・ Ernst Oddvar Baasland


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Ernst Neizvestny : ウィキペディア英語版
Ernst Neizvestny

Ernst Iosifovich Neizvestny ((ロシア語:Эрнст Ио́сифович Неизве́стный)) (born 1925) is a Russian-American sculptor, painter, graphic artist, and art philosopher. He emigrated to the U.S. In 1976 and lives and works in New York City. His last name in Russian literally means "unknown".
American playwright Arthur Miller once described Neizvestny as an "artist of the East" who is regarded by Russians as an "expression of the country, of its soul, language, and spirit" and as a "prophet of the future" who represents the "philosophical conscience of his country."
Alexander Calder, the great American artist, once said to Neizvestny, "All my life I create the world of children, and you create the world of man." (reported by New York City Tribune, March 29, 1988. )
==Early life==
Neizvestny was born 9 April 1925 in Sverdlovsk (now Yekaterinburg). In 1942, at the age of 17, he joined the Red Army as a volunteer. At the close of World War II, he was heavily wounded and sustained a clinical death. Although he was awarded the Order of the Red Star "posthumously" and his mother received an official notification that her son had died, Neizvestny managed to survive.
In 1947, Neizvestny was enrolled at the Art Academy of Latvia in Riga. He continued his education at the Surikov Moscow Art Institute and the Philosophy Department of the Moscow State University. His sculptures, often based on the forms of the human body, are noted for their expressionism and powerful plasticity. Although his preferred material is bronze, his larger, monumental installations are often executed in concrete. Most of his works are arranged in extensive cycles, the best known of which is ''The Tree of Life'', a theme he has developed since 1956.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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